PROJECT “SCHWARZE MANDER”/”BLACK MEN” | by Marianne Mödlinger and Bastian Asmus
THE EMPIRE STRIKES BACK: MAXIMILIAN AND THE EMANCIPATION OF HIS GRANDSON CHARLES OF HABSBURG | by
HOW ARMOURERS CATERED TO THE FLUCTUATING SIZES OF THEIR CUSTOMERS | by Rahul Kulka
NETWORKS OF RECEPTION: CONTEMPORARY READERS OF ENCOMIASTIC POETRY | by Elisabeth Klecker and Lukas Ebert
DATA CREATION CHALLENGES IN HISTORICAL RESEARCH: OUR FIRST-YEAR JOURNEY | by Richard Hadden, Suzana Sagadin, Marcella Tambuscio and Georg Vogeler
MAXIMILIAN MEETS MONTY PYTHON: THE “LAST KNIGHT” AS A MASTER OF DIRTY WARFARE | by Alexandra Burger and Andreas Zajic
MAXIMILIAN’S GREATEST VICTORY FROM A LOCAL PERSPECTIVE | by Elisabeth Klecker, Christof Metzger and Friedrich Simader
„CREATING MAXIMILIAN“ STELLT SICH VOR | by Dennis Wegener
PROSOPOGRAPHICAL NETWORKS OF MAXIMILIAN I (1459-1519): DEALING WITH COMPLEXITY IN PROSOPOGRAPHICAL ARCHIVES | by Marcella Tambuscio
INFORMATION ON THE MANMAX LOGO | by Andreas Zajic
THE YOUNG MAXIMILIAN ARRIVES TO THE NETHERLANDS | by Jonathan Dumont
Header Image Credits: Vienna, Schatzkammer